The CarFX - Course Promo
The CarFX - CG Trailer
The CarFX Bundle
Everything you need to rig, sim, and smash a car in Houdini
Get 10+ hours of training plus a professionally built, fully rigged CG car — all in one streamlined bundle.
Includes:
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Training Course
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Suspension setup
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Metal deformation
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Constraint networks
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Solver tuning
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Solaris rendering (Karma)
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Project files & a stripped-down car for follow-along
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Studio Car Asset
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High-res geometry with PBR 4K UDIM textures
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Rigged 3ds Max scene with V-Ray shaders
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Solaris/Karma MaterialX shader setup
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Alembic, FBX, OBJ, Houdini formats
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Detailed chassis + proxy geo
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Under the Hood: The CarFX Asset
MECHANICALLY RICH
Rigged Chassis + Suspension
Easily link or animate realistic vehicle movement with pre-rigged components in 3ds Max.
4K UDIM Textures
High-resolution PBR maps (Albedo, Roughness, Normal, Metallic) across all major body sections with clean UVs.
Detailed Interior + Panels
Full cabin geometry, skeletal paneling, and suspension parts — ideal for close-up shots and controlled destruction.
Multi-Format Exports
Includes Alembic, FBX, OBJ, Houdini (Karma), and 3dsmax (Vray)
Your Instructor: Will Wallace
Since 2006, William has served as an Art Director, Designer, Animator, CG Generalist, FX Artist, FX Lead, and FX Supervisor, shaping high-end visuals for some of the biggest films and franchises. He has contributed his expertise at top VFX studios such as Hydraulx, Method Studios, and Scanline VFX, handling complex FX work across a range of scales.
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His filmography includes major blockbusters and TV series—from The Avengers, San Andreas, and Guardians of the Galaxy Vol. 2 to the Monsterverse franchise, Senna, and Stranger Things. He specializes in large-scale simulations, procedural destruction, complex FX, animation, and look development.
Beyond FX, he has a deep appreciation for engineering, physics, and design, coupled with a strong respect for composition and spatial balance. He focuses on the mathematics of aesthetics, using principles of proportion and rhythm—often guided by the golden ratio and structured visual harmony—to shape destruction patterns, compositions, and cinematic framing.
Will Wallace's Portfolio - willwallace.tv
